All CRIVELLI, Carlo Oil Paintings

Italian Early Renaissance Painter, ca.1430-1495
 
       VORHERIGE  1  2
  VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
 
CRIVELLI, Carlo Pieta 124 oil painting


Pieta 124
Gemälde IDENTIFIZIERUNG::  6330 		Pieta 124
Öl auf Holz Pinacoteca, Vatikan
Oil on wood Pinacoteca, Vatican
   
   
     
CRIVELLI, Carlo St Jerome and St Augustine dsfg oil painting


St Jerome und St Augustine dsfg
Gemälde IDENTIFIZIERUNG::  6331 		St Jerome und St Augustine dsfg
c. der Tempera von 1490 auf Holz, 187 X 72 cmGallerie dell~Accademia, Venedig
c. 1490 Tempera on wood, 187 x 72 cm Gallerie dell'Accademia, Venice
   
   
     
CRIVELLI, Carlo Virgin and Child dfg oil painting


Jungfrau und Kind dfg
Gemälde IDENTIFIZIERUNG::  6332 		Jungfrau und Kind dfg
1490er Jahren Tempera auf täfelt Victoria und Albert Museum, London
1490s Tempera on panel Victoria and Albert Museum, London
   
   
     
CRIVELLI, Carlo Virgin and Child Enthroned sdf oil painting


Jungfrau und Kind Haben sdf Inthronisiert
Gemälde IDENTIFIZIERUNG::  6333 		Jungfrau und Kind Haben sdf Inthronisiert
umden Unterausschuss von 1476, 106.5 X 55.3 cm Museum Schöner Künste, Budapests
around 1476 Panel, 106,5 x 55,3 cm Museum of Fine Arts, Budapest
   
   
     
CRIVELLI, Carlo Virgin and Child Enthroned around oil painting


Virgin and Child Enthroned around
Gemälde IDENTIFIZIERUNG::  64696 		Virgin and Child Enthroned around
1476 Panel, 106,5 x 55,3 cm Museum of Fine Arts, Budapest Crivelli was one of the busiest painters in Venice during the second half of the fifteenth century and was responsible for many altarpieces in small churches in Veneto and in the Marches. Adapting himself to the conservative taste of his patrons, he painted in an archaic style based on Gothic tradition; his Madonnas are usually frontally posed and seen against a gold background of Bysantine splendor. There is but little movement and few details from nature, the composition being solemn and strictly linear. Only the pure and sure design of the faces and the lavishly applied festoons of flowers and fruits testify to Crivelli's being a master of the fifteenth century, a Renaissance artist with a style of his own. The "Virgin and Child Enthroned" was formerly the central panel of a polyptych in the church of San Domenico at Ascoli Piceno. The representaion of saints from the wings are in the National Gallery in London. *** Keywords: ************* Author: CRIVELLI, Carlo Title: Virgin and Child Enthroned, 1451-1500, Italian , painting , religious
1476 Panel, 106,5 x 55,3 cm Museum of Fine Arts, Budapest Crivelli was one of the busiest painters in Venice during the second half of the fifteenth century and was responsible for many altarpieces in small churches in Veneto and in the Marches. Adapting himself to the conservative taste of his patrons, he painted in an archaic style based on Gothic tradition; his Madonnas are usually frontally posed and seen against a gold background of Bysantine splendor. There is but little movement and few details from nature, the composition being solemn and strictly linear. Only the pure and sure design of the faces and the lavishly applied festoons of flowers and fruits testify to Crivelli's being a master of the fifteenth century, a Renaissance artist with a style of his own. The "Virgin and Child Enthroned" was formerly the central panel of a polyptych in the church of San Domenico at Ascoli Piceno. The representaion of saints from the wings are in the National Gallery in London. *** Keywords: ************* Author: CRIVELLI, Carlo Title: Virgin and Child Enthroned, 1451-1500, Italian , painting , religious
   
   
     
       VORHERIGE  1
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     CRIVELLI, Carlo
     Italian Early Renaissance Painter, ca.1430-1495

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